Nine Days went from having a Top
Ten hit to having no record deal in the space of one album. But as
Andrew Ellis found out, the band's front man John Hampson doesn't
spend too much time wallowing in the past. He's too busy making music.
When Nine Days' debut single 'Absolutely (Story of a Girl)' hit the top 10
on the Billboard Top 40 chart in August 2000 and their album 'The Madding
Crowd' achieved gold sales, lead singer John Hampson could be forgiven for
thinking that after five years and three self-released albums, a long
major-label career lay ahead of him and his band.
Buoyed by the success the single and album had garnered, Nine Days toured
solidly with the likes of Vertical Horizon and Third Eye Blind, then
headed into the studio in 2001 to record a follow-up, 'So Happily
Unsatisfied'. But due to intense label politics it never saw the light of
day and now after finally parting ways with Epic, Hampson and the band
find themselves self-releasing new music to an army of loyal fans once
A debut solo EP,'Seventeenminutesandthirtyeightsecondsinthedark', has just
been released via Hampson's website (http://www.johnhampson.com),
which will be quickly followed by an all-new Nine Days album 'Flying The
Corporate Jet' on November 20th. Clearly, Hampson has flushed out the
frustrations of the couple of years in the only way he knows how.
"It's been a rough year, but I've been so busy writing and recording that
I didn't have much time to get depressed", he said during a recent
Transatlantic phone call. "But writing this EP and the new album has been
"After the Nine Days fallout with Epic Records, I just wanted an outlet
for my songs. I write all the time and after eight years with the band I
wanted to record, produce and mix my songs without having to go through
the democratic band process for once, and I am really happy with the
Fans of Nine Days will also be extremely happy with the new material,
which was impressively produced by Hampson and Dave McNair. Especially
pleasing are the up-tempo opener 'Ultimate Love Song', which has a melody
line as infectious as anything Hampson has written in the past, and the
delicately crafted 'She Won't Get Away', a classic-sounding acoustic
pop-rock song with a modern twist.
"Its definitely 'me' with no filters," John agrees. "When I write songs, I
always hear the whole thing in my head. In Nine Days, I'm always trying to
get those ideas across to the other guys, so a solo project isn't really
going to be much different for me other than I get to be an egomaniac and
play all the parts myself! I am already working on part two and am looking
at a few opportunities to make a full-length solo record next year."
But a solo career is not something Hampson is especially familiar with,
after recording five albums with his band mates in Nine Days since the mid
1990s, so is the title of the EP a hint at the unfamiliarity of being
without long-time collaborator Brian Desveaux for the first time?
"It actually refers to many things," he replies. "But one is definitely
the feeling of not knowing where things are at the moment, kind of blindly
moving forward. But it also refers to the dark in a comforting way, like
putting on a set of headphones and disappearing in the music."
The new solo tunes are free from any references to Nine Days' split with
Epic, although John is quick to point out they are autobiographical to a
"All my songs have an element of my life in them", he says. "I draw from
my past a lot, but I almost always use other people for inspiration, too,
sort of like a composite character in a movie. For example, 'The In Crowd'
is really a very tongue-in-cheek look at having no friends except the
characters on TV and how no-one can live up to the lifestyles portrayed
The EP may be more relationship-based on tunes like the aching 'Anywhere',
but the new material on 'Flying The Corporate Jet' is apparently more
hard-hitting and as John confirms, "the effects of the last three years
are all over it."
So, what was the real story behind how such a promising start in the
industry turned into a familiar tale of industry indifference?
"We didn't know what to expect," Hampson recalls. "We were thrilled to
have any success after years of struggling and Epic did a good job with
us, but they just didn't believe in the band at the top level.
"I still have many friends there and I don't take it personally, I just
wish they would have let us go before we recorded 'So Happily
Unsatisfied', at least then we would have had a chance to go somewhere
else. It's in limbo
now, and the major label world is so screwed that it works against us to
have a record done and shelved."
Ah, So Happily Unsatisfied, an album most Nine Days fans will never hear
(unless they download copies of it from the Internet), even after attempts
by the band to retain the rights to it. It's more aggressive and had a
fuller rock sound than 'The Madding Crowd' but although the trademark Nine
Days hooks and melodies are present throughout, perhaps the absence of a
ready-made successor to 'Absolutely (Story of a Girl)' on the album
ultimately hurt the band in an industry that doesn't do career development
But Hampson didn't see a split with the label coming. "When we were
working on 'So Happily Unsatisfied', no-one asked us about a new
'Absolutely'", he says. "They [Epic] encouraged us to go for a more rock
sound, and that's what we wanted to do. It is much more guitar heavy and I
think it's a great record. Maybe we'd still be making albums for Epic if
we'd written a more pop record, but who knows?"
Either way, Hampson and the rest of the band are looking to the future.
After the wrangles with Epic and the further blow of losing drummer Vinnie
Tatenelli and keyboardist Jeremy Dean, Nine Days have experienced their
fair share of adversity over the past year. But they've soldiered on, and
as 'Flying The Corporate Jet' and the lengthily titled 'Seventeenminutesandthirtyeightsecondsinthedark'
prove, the band's destiny is in their own hands again.
Hampson wholeheartedly agrees. "We're in charge of our music this time,"
he affirms proudly. "Honestly, I have moved forward from this past year. I
have watched too many artists spending too much time worrying about music
they recorded years ago and then they have no creative energy to go
forward. I didn't want that to happen, so I just let it go. I'm onto the
John Hampson's solo EP 'Seventeenminutesandthirtyeightsecondsinthedark'
(Dirty Poet Records) is available now via
'Flying The Corporate Jet' will be available from November 20th via